Systematic double gear
Two full-frame bodies, redundant memory cards, backup flash: no shoot can be compromised by hardware failure.
My creative arsenal
In my bag
Behind every shoot, there's gear chosen with care. Here's the equipment I use day to day — from the bodies down to the smallest accessories — and the reasons that led me to pick them. For clients, it's the guarantee of a reliable shoot. For the curious, a concrete glimpse of what a professional photographer uses.
My philosophy
Why gear quality matters
Professional full-frame
Latest-gen Sony full-frame bodies for guaranteed image quality, even in challenging lighting conditions.
A lens for every situation
Five focal lengths covering all needs: wide-angle for venues, bright primes for portraits, versatile zoom for reactivity.
01
Camera bodies
Two Sony full-frame bodies, used in parallel on every shoot. The second is always ready in case of failure.
Sony A7 IV
33 MP full-frame body, a reference for versatile professional photographers. Excellent for both photo and video.
Why this choice Versatile, reliable and exceptional in low light. It's my main body for the vast majority of shoots.
WeddingFamilyPortraitEvent
- 33 MP full-frame
- 5-axis IBIS stabilisation
- Autofocus with intelligent tracking
Sony A7 V
Second full-frame body, used alongside the A7 IV to cover two focal lengths simultaneously and serve as immediate backup.
Why this choice Essential to ensure perfect continuity on important shoots. Also lets me shoot without constantly swapping lenses.
WeddingReportageEvent
- Latest-gen full-frame
- Dual memory-card slot
- Used as secondary body
02
Lenses
Five complementary focal lengths, from wide-angle to telephoto, to cover every situation of a shoot — from tight portraits to wide views.
Sony FE 85mm f/1.8
An 85mm prime at f/1.8 — the classic portrait focal length, with soft bokeh and remarkable subject-background separation.
Why this choice Perfect for isolating subjects with elegance. Bright, light and sharp — a must-have for portraits and key wedding moments.
PortraitWedding (ceremony, couple)Maternity
Sony FE 50mm f/1.4 GM
A G Master 50mm standard prime, very bright at f/1.4. The focal length closest to natural human vision.
Why this choice Ideal for lifestyle sessions and natural moods. Its aperture lets me work in very low-light conditions.
WeddingFamilyReportage
Sony FE 35mm f/1.4 GM
A 35mm f/1.4 prime, versatile for capturing both subjects and their environment. G Master series, exceptional sharpness.
Why this choice Perfect for telling a scene with its context. Heavily used in wedding reportage and ambient shots.
ReportageWedding (preparations, evening)Family
Tamron 35-150mm f/2-2.8
Wide-to-telephoto zoom with a sliding f/2-2.8 aperture, unique on the market. Replaces several primes on its own.
Why this choice An ultimate Swiss-army lens: covers wide portrait to tight portrait without swapping lenses. Invaluable when every second counts.
Wedding (ceremony, couple)EventReportage
Tamron 17-28mm f/2.8
Ultra-wide zoom with constant f/2.8 aperture. Compact, light, ideal for tight spaces and wide shots.
Why this choice Essential for wedding venues, corporate interiors and real estate photography. Renders spaces faithfully.
Real estateWedding (venues, groups)Business
03
Lighting
A mobile flash kit to complement natural light when it falls short, indoors or in the evening.
Godox Cobra Flash
Powerful cobra flash with TTL mode. Mounts on the camera hot shoe or off-camera.
Why this choice Light and powerful, perfect when light is lacking indoors. TTL mode handles exposure automatically during reportage.
Wedding (evening)EventIndoor reportage
Godox A1 Flash
Mini wireless off-camera flashes, controlled from the body. Used in multi-point setups to sculpt light.
Why this choice Three units let me create creative lighting setups (key, fill, rim) or cover multiple zones simultaneously.
Wedding (evening)Creative portraitEvent
Godox Diffuser
Soft diffuser to soften the cobra flash light and produce a more natural rendering.
Why this choice Direct flash creates hard shadows and unflattering rendering. The diffuser turns aggressive light into wrapping light.
Wedding (evening)Portrait
04
Drone
For aerial shots — ideal for showcasing wedding venues, estates and landscapes.
DJI Mini 4 Pro
Ultra-compact drone under 250g with 1/1.3" sensor and 4K HDR video. Omnidirectional obstacle detection.
Why this choice Under 250g means fewer regulatory restrictions — I can fly legally in most contexts. Image quality on par with bigger pro drones.
Wedding (wide shots)Estates and venuesReal estate
- Under 250g (A1 category)
- 4K 100 fps HDR video
- 360° obstacle detection
05
Post-production
The workstation where all your photos are sorted, retouched and delivered.
MacBook Pro M1 Max
MacBook Pro with the M1 Max processor, with Liquid Retina XDR display calibrated for photo and video retouching.
Why this choice Processing power needed to work on galleries of hundreds of RAWs without slowdowns, and a faithful screen for precise retouching.
Lightroom / Photoshop retouchingGallery deliveryVideo editing
06
Essential accessories
The essentials that ensure continuity throughout the shoot — memory cards, batteries, bags, filters.
SD memory cards
High-speed SD memory cards, rotated across both bodies with simultaneous dual-slot recording.
Why this choice Simultaneous recording on two cards = automatic redundancy. A failing card never means losing the photos.
All shoots
Polarising filter
Circular polarising filter that screws onto the lens. Reduces reflections on water and glass, and saturates skies.
Why this choice Essential for waterside weddings, outdoor sessions in bright sunlight, and real estate with large windows.
Bright outdoorReal estateLandscape
Ready?
A project to bring to life?
Now that you know what gear I work with, let's talk about your needs. I'll give you a clear estimate in under two minutes.